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added tables based on Liber Usualis (1961), 🎩-tip: https://stevecat.net/table-magic/
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Geremia
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1961 Liber Usualis:

Ordinary Chants

NameSeasonModeCentury
1Lux et origoIn Paschal Time810
2Kyrie fons bonitatisFor feasts of the I class. 1.310
3Kyrie Deus sempiterneFor feasts of the I class. 2.411
4Cunctipotens Genitor DeusFor feasts of the II class. 1.110
5Kyrie magnæ Deus potentiæFor feasts of the II class. 2.813
6Kyrie Rex GenitorFor feasts of the II class. 3.710
7Kyrie Rex splendensFor feasts of the II class. 4.810
8De AngelisFor feasts of the II class. 5.515-16
9Cum jubiloFor feasts of the Blessed Virgin. 1.112
10Alme PaterFor feasts of the Blessed Virgin. 2.111
11Orbis factorFor Sundays throughout the Year.1(10) 14-16
12Pater cunctaFor feasts of the III class. 1.812
13Stelliferi Conditor orbisFor feasts of the III class. 2.111
14Jesu RedemptorFor feasts of the III class. 3.810
15Dominator DeusFor commemorations and ferias of the Christmas season.411-13
16For ferias throughout the Year.311-13
17For the Sundays of Advent and Lent.1(10) 15-17
18Deus Genitor almeFor the ferias of Advent and Lent as well as for Vigils, Ember Days, and Rogation Days.1(10) 15-17

Chants “Ad Libitum

NameModeCentury
1Clemens Rector110
2Summe Deus111
3Rector cosmi pie211
4Kyrie altissime511
5Conditor Kyrie omnium710
6Te Christe Rex supplices810
7Splendor æterne111
8Firmator sancte613
9O Pater excelse811
10Orbis factor*1(10)
11Pater cuncta110

*For Sundays throughout the year.
†For the Sundays of Advent and Lent.

Perhaps the most well-known name is Missa de Angelis, which is Mass VIII; the most used setting is probably the “Missa Simplex” which is assembled from parts of Masses XVI, XV and XVIII. Mass XVIII has the name Deus Genitor alme.

Perhaps the most well-known name is Missa de Angelis, which is Mass VIII; the most used setting is probably the “Missa Simplex” which is assembled from parts of Masses XVI, XV and XVIII. Mass XVIII has the name Deus Genitor alme.

1961 Liber Usualis:

Ordinary Chants

NameSeasonModeCentury
1Lux et origoIn Paschal Time810
2Kyrie fons bonitatisFor feasts of the I class. 1.310
3Kyrie Deus sempiterneFor feasts of the I class. 2.411
4Cunctipotens Genitor DeusFor feasts of the II class. 1.110
5Kyrie magnæ Deus potentiæFor feasts of the II class. 2.813
6Kyrie Rex GenitorFor feasts of the II class. 3.710
7Kyrie Rex splendensFor feasts of the II class. 4.810
8De AngelisFor feasts of the II class. 5.515-16
9Cum jubiloFor feasts of the Blessed Virgin. 1.112
10Alme PaterFor feasts of the Blessed Virgin. 2.111
11Orbis factorFor Sundays throughout the Year.1(10) 14-16
12Pater cunctaFor feasts of the III class. 1.812
13Stelliferi Conditor orbisFor feasts of the III class. 2.111
14Jesu RedemptorFor feasts of the III class. 3.810
15Dominator DeusFor commemorations and ferias of the Christmas season.411-13
16For ferias throughout the Year.311-13
17For the Sundays of Advent and Lent.1(10) 15-17
18Deus Genitor almeFor the ferias of Advent and Lent as well as for Vigils, Ember Days, and Rogation Days.1(10) 15-17

Chants “Ad Libitum

NameModeCentury
1Clemens Rector110
2Summe Deus111
3Rector cosmi pie211
4Kyrie altissime511
5Conditor Kyrie omnium710
6Te Christe Rex supplices810
7Splendor æterne111
8Firmator sancte613
9O Pater excelse811
10Orbis factor*1(10)
11Pater cuncta110

*For Sundays throughout the year.
†For the Sundays of Advent and Lent.

Perhaps the most well-known name is Missa de Angelis, which is Mass VIII; the most used setting is probably the “Missa Simplex” which is assembled from parts of Masses XVI, XV and XVIII. Mass XVIII has the name Deus Genitor alme.

edited title; edited tags
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Geremia
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There are eighteen plainchant settings of the ordinary of the Mass (kyriales), sixteen of which have specific names.

Perhaps the most well-known name is Missa de Angelis, which is Mass VIII; the most used setting is probably the “Missa Simplex” which is assembled from parts of Masses XVI, XV and XVIII. Mass XVIII has the name Deus Genitor alme.

I’m aware that polyphonic settings of the Mass texts can be based on other tunes and inherit their names, for example the Western Wynde Mass of John TavernerWestern Wynde Mass of John Taverner or the Missa Salve Regina of VictoriaMissa Salve Regina of Victoria.

I haven’t been able to find a source for the names of the plainchant Masses. Wikipedia mentions that the names are inherited from the “opening of the prosula formerly sung to each respective Kyrie melody,” but the page has the incipit of Kyrie XI and it’s difficult to see how the words “Orbis factor” fit. And there is no information about what these prosulae actually are and where to find them.

Is there any light to be shed here, or is it all shrouded in the mists of time?

There are eighteen plainchant settings of the ordinary of the Mass (kyriales), sixteen of which have specific names.

Perhaps the most well-known name is Missa de Angelis, which is Mass VIII; the most used setting is probably the “Missa Simplex” which is assembled from parts of Masses XVI, XV and XVIII. Mass XVIII has the name Deus Genitor alme.

I’m aware that polyphonic settings of the Mass texts can be based on other tunes and inherit their names, for example the Western Wynde Mass of John Taverner or the Missa Salve Regina of Victoria.

I haven’t been able to find a source for the names of the plainchant Masses. Wikipedia mentions that the names are inherited from the “opening of the prosula formerly sung to each respective Kyrie melody,” but the page has the incipit of Kyrie XI and it’s difficult to see how the words “Orbis factor” fit. And there is no information about what these prosulae actually are and where to find them.

Is there any light to be shed here, or is it all shrouded in the mists of time?

There are eighteen plainchant settings of the ordinary of the Mass (kyriales), sixteen of which have specific names.

Perhaps the most well-known name is Missa de Angelis, which is Mass VIII; the most used setting is probably the “Missa Simplex” which is assembled from parts of Masses XVI, XV and XVIII. Mass XVIII has the name Deus Genitor alme.

I’m aware that polyphonic settings of the Mass texts can be based on other tunes and inherit their names, for example the Western Wynde Mass of John Taverner or the Missa Salve Regina of Victoria.

I haven’t been able to find a source for the names of the plainchant Masses. Wikipedia mentions that the names are inherited from the “opening of the prosula formerly sung to each respective Kyrie melody,” but the page has the incipit of Kyrie XI and it’s difficult to see how the words “Orbis factor” fit. And there is no information about what these prosulae actually are and where to find them.

Is there any light to be shed here, or is it all shrouded in the mists of time?

edited title
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Geremia
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How did the Catholic plainchant MassesMasses' kyriales get their names?

There are eighteen plainchant settings of the ordinary of the Massplainchant settings of the ordinary of the Mass (kyriales), sixteen of which have specific names.

Perhaps the most well-known name is Missa de Angelis, which is Mass VIII; the most used setting is probably the “Missa Simplex” which is assembled from parts of Masses XVI, XV and XVIII. Mass XVIII has the name Deus Genitor alme.

I’m aware that polyphonic settings of the Mass texts can be based on other tunes and inherit their names, for example the Western Wynde Mass of John Taverner or the Missa Salve Regina of Victoria.

I haven’t been able to find a source for the names of the plainchant Masses. Wikipedia mentions that the names are inherited from the “opening of the prosula formerly sung to each respective Kyrie melody,” but the page has the incipit of Kyrie XI and it’s difficult to see how the words “Orbis factor” fit. And there is no information about what these prosulae actually are and where to find them.

Is there any light to be shed here, or is it all shrouded in the mists of time?

How did the Catholic plainchant Masses get their names?

There are eighteen plainchant settings of the ordinary of the Mass, sixteen of which have specific names.

Perhaps the most well-known name is Missa de Angelis, which is Mass VIII; the most used setting is probably the “Missa Simplex” which is assembled from parts of Masses XVI, XV and XVIII. Mass XVIII has the name Deus Genitor alme.

I’m aware that polyphonic settings of the Mass texts can be based on other tunes and inherit their names, for example the Western Wynde Mass of John Taverner or the Missa Salve Regina of Victoria.

I haven’t been able to find a source for the names of the plainchant Masses. Wikipedia mentions that the names are inherited from the “opening of the prosula formerly sung to each respective Kyrie melody,” but the page has the incipit of Kyrie XI and it’s difficult to see how the words “Orbis factor” fit. And there is no information about what these prosulae actually are and where to find them.

Is there any light to be shed here, or is it all shrouded in the mists of time?

How did the Catholic Masses' kyriales get their names?

There are eighteen plainchant settings of the ordinary of the Mass (kyriales), sixteen of which have specific names.

Perhaps the most well-known name is Missa de Angelis, which is Mass VIII; the most used setting is probably the “Missa Simplex” which is assembled from parts of Masses XVI, XV and XVIII. Mass XVIII has the name Deus Genitor alme.

I’m aware that polyphonic settings of the Mass texts can be based on other tunes and inherit their names, for example the Western Wynde Mass of John Taverner or the Missa Salve Regina of Victoria.

I haven’t been able to find a source for the names of the plainchant Masses. Wikipedia mentions that the names are inherited from the “opening of the prosula formerly sung to each respective Kyrie melody,” but the page has the incipit of Kyrie XI and it’s difficult to see how the words “Orbis factor” fit. And there is no information about what these prosulae actually are and where to find them.

Is there any light to be shed here, or is it all shrouded in the mists of time?

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Andrew Leach
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